My work reconstructs space through layered perspectives and moments in time.

I begin by photographing a single subject from multiple angles and at different points in time. These images are assembled into a collage, forming a space that appears coherent yet does not exist in reality. From this constructed image, I create paintings that resemble photographs, but do not aim for complete realism.

Instead, I use the language of photography to explore the boundary between the real and the constructed. The image feels familiar at first glance, yet subtle inconsistencies reveal a space that is both believable and unstable.

This approach reflects my experience as an immigrant, where identity is shaped by shifting contexts and perspectives. While I remain a single, continuous self, my sense of identity is constantly redefined by where I stand and how I am perceived.